Tag Archives: conquest of the useless

2009 – A GOOD YEAR FOR HERZOG FANS

” Camisea, 15 April 1981…After hours of his incessant ranting and raving, I ate the last piece of chocolate I had been keeping hidden in my cabin. I ate it practically in Kinski’s face, which he was holding very close to mine as he screamed his lungs out. He was so dumbfounded by my act of self-indulgence that all of a sudden he fell silent.”

I’m in the midst of logging sneaker-related listings to sum up the year at time-of-writing, but truthfully, two of the highlights of 2009 arrived courtesy of Werner Herzog’s outsider fascination, oddly earnest treatment of a trashy screenplay and oft-overlooked skills with the pen when it comes to logging his surroundings and general frame of mind (check the Free Association reprint ‘Of Walking In Ice’ for a primer). Were it not such a clichéd prospect for one who so effortlessly sidesteps the norm, a daily herzogspot.com from the man himself would be e-gold. But you’ll never get that.

What we did get, other than a superior Q&A in Vice’s phenomenal film issue, one of the best issues of anything in a while, alongside the De La FRANK151 and a fine dinner conversation in the States recently regarding the perceived madness of kings Kinski and Herzog, was a publication of the director’s journals during the troubled production of ‘Fitzcarraldo’ and a sequel of sorts to Ferrera’s ‘The Bad Lieutenant.’ That’s more than enough for me.

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KINSKI-ISMS

Too busy with diminishing Macbook power for a long-arsed blog entry. But a recent dinner table conversation on Klaus Kinski, and the discovery that a US journalist, quite rightly, described him as having, “…an alarming face” there’s always time to gather Kinski quotes. The recent translation of  Herzog’s superb ‘FItzcarraldo’ memoirs, ‘Conquest Of The Useless’, as with ‘On Walking In Ice’, proves what a master of description he is, obsessed with his decaying, writhing environment. Kinski’s ‘Kinski Uncut’ (which desperately needs a reprint) proved Klaus to be a bilious style-master in the writing stakes, and a psychotic loverman to boot.

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