“Our altered states are as real as our waking ones…”
I’m not too fussed about the impending cease and desist on autotune choruses, but I’m in mourning over the sudden death of opening credits on movies. Too often the film starts as it means to go on…not even a title screen, with the details left until the film’s close prior to the scrolling end credits. To me, the opening credits are an intrinsic part of the film experience. If I wanted to dive straight in, I’d stream a crappy iPhone cam-copy online, where the pirate is too shook to get things rolling ’till after the first minute or so.
Continue reading THE DEATH OF OPENING TITLES
Blog post from March 2009.
I’m a John Carpenter fanatic – while I can offer no explanation for how appalling ‘Ghosts Of Mars’ or ‘Escape From LA’ turned out to be, like some slithering special effect, his widely-derided ‘Masters Of Horror’ ‘Pro-Life’ episode, hated by me on viewing, seems to have gestated in my brain, leaving me curious as to whether it wasn’t that bad. Still, I doubt I’ll revisit. His entire 80’s output however, is genre filmmaking as an artform. Recurring names like Dean Cundy on cinematography and John’s hugely-successful DIY synth approach to scoring were part of the enjoyment, but his use of a trademark font adds a true signature to his productions.
Continue reading JOHN CARPENTER’S FAVOURITE FONT