This blog entry is approximately 27 hours late and an affront to my OCD inclinations. The real kicker is that it’s both tardy and pretty poorly thought-out too. In fact, the majority of it is given to images from an already well documented book that are — to add insult to injury — heavily watermarked too. What can I say? I slacked this week. I’m keen to get my hands on a full copy of Powerhouse’s ‘The Forty Deuce: The Times Square Photos of Bill Butterworth 1983-1984’ because it seems to be laden with strippers, pimps, b-boys and girls and plenty of other characters from the era. I grew up obsessed with b-movies from the time (as well as the classic ‘Times Square’) that depicted the area as a very scuzzy spot indeed, usually laden with offensive stereotypes of Puerto-Rican gents, complete with flick knives and bandanas and hookers berating the stray innocents who wandered into the area Butterworth depicts. Think ‘The Burning’s opening setup, ‘Fear City’ or ‘Basket Case.’ And while it looks grindhouse sketchy in Bill’s photos, there’s an evident sense of unity between crews, whether it’s sex shop workers, drag queens, dancers or anyone else who hung around there. The portraits are strong and the outfits are pretty spectacular, with plenty of posing. You know your swag is at a trillion when you can stunt in front of racks of gay porn (apologies to one-handed surfers who just found this blog through those words and were assailed with paragraphs, shoes and other geeky things) and still look gangster. That couple next to the ‘Beat Street’ (and ‘Strange Invaders’) display? Incredible. There’s plenty more information and imagery right here.
One of the few things that marred my pre-teen years as much as Belial in ‘Basket Case’ was David Lynch’s ‘The Grandmother.’ I always found that short infinitely more nightmarish than ‘Eraserhead.’ Lynch has a habit of tapping into the hallucinatory, claustrophobic essence of a nightmare situation. The car crash scene in ‘Wild At Heart’ troubles me deeply, but Robert Blake’s appearance in ‘Lost Highway’ is utterly unnerving. Blake’s real-life antics give his nameless character extra edge and the whole film remains underrated. Just as I found myself preoccupied with watching the film again, I wandered into Uniqlo and was faced with a ‘Lost Highway’ t-shirt as part of their David Lynch collection. Then I got the news that Universal are putting out pretty much every David Lynch film as a Blu-ray around June 4th. ‘Wild At Heart’ includes ‘The Grandmother’ as a special feature and I want to know what the “Four Intervalometer Experiments” that are on the ‘Lost Highway’ disc are. Even ‘Dune’ is part of the rollout. All this sudden activity around a film I hadn’t thought about for at least half a decade didn’t throw me as much as Bull Pullman talking to a man face-to-face who’s also miles away in his home, but it caught me off guard a little. Now Robert’s eyes and laugh are embedded in my mind all over again.
Retro isn’t going anywhere — right now somebody’s probably being kicked to the ground for a basketball shoe from 1997 — but the new wave is wildly on point. I’ve loved Nike’s Lunar pieces but the Undercover GYAKUSOU collection has done a good job of introducing me to shoes I wouldn’t have paid much attention too until they got some Terra-esque makeups. Zoom Structure+ 15? A serious shoe even though I hadn’t looked at Structures since the bestselling Structure II back in the early ’90’s. I loved the Lunar Elite+ but the Zoom Elite series looked like one of those ranges that was made for serious runners who’d sneer at anything aesthetically pleasing for its fanciness. Suddenly, with that transparent overlay and almost 180 style forefoot, the Zoom Elite+ 5 is a thing of beauty and this version highlights every key feature. The Terra Humara style colourway elevates these significantly and like the Structure choice, there’s a sense that Jun Takahashi isn’t hunting the hype vote with his footwear picks. Shouts to Nike UK fam for these — all I need now is a health scare to encourage me to run. All the gear, no idea is a mantra I live by.
Many blogs are either too frantic or too earnest for my tastes, but I really like The Obviously Uncommon. That’s because the man behind it, knows a lot about a lot of stuff and had a Doublegoose way before I ever did, but also because it celebrates the bargain hunter. There’s so much emphasis on matters of flossiness and conspicuous consumption, but shelling out full price or an eBay markup is a fast track to a hollow purchase. Bargains come with tales of exploration, disbelief and triumph. £25 Pendletons, wear tested Stone Island coats, Air Max Lights found in garages and 50p hats that are inexplicably big make this site my new favourite. Salutes to the enemies of RRP out there.