James Hyman is the guy who resisted the voices telling him to get rid of his magazine collection. I’ve been weak and thrown away my favourites and, contrary to tech prophets, never seen the content that’s slowly fading from my memory, like a paperback on the windowsill, anywhere online. As a testament to Hyman’s hoarder mentality, his archive contains 450 crates and 52,004 issues of 2,448 unique publications. There’s titles in there that the internet doesn’t even mention once. I could spend a long, long, long time just browsing old Sources and Faces to bring some colour back to those eroded psychological snapshots. Check out the Hyman Archive right here (and I’m not just saying that because I’m quoted at the start of the video.
Kelefah Sanneh’s profile of Daniel ‘Dapper Dan’ Day in this week’s New Yorker (complete with a Louis Vuitton ad on the back cover) is tremendous. It places what Dan created in a greater context, discussing the (il)legalities of his work, talking to Tyson, breaking down the infamous ‘Alpo Coat’ with the gun pocket, the connection between the audacious hustler outfits and Africa, the previously undocumented part of his career where he bootlegged Timberland and Guess, Fat Joe’s status as a longtime customer and how Floyd Mayweather Jr. still works with him. It’s the reason magazines are important and it’s tremendous that they gave it 8 pages — a story that needed to be told given the position it deserved. The Man Who Dressed Hip-Hop is up there with some of the great articles on the subject. Go buy it if you’re trapped outside their paywall (Calvin Tomkins’ When Punk Becomes Art piece is good too). It’s a shame that the blogsphere lacks the attention span or reverence to put out something this comprehensive that celebrates a figure whose contribution to the streetwear and high-end collision that causes queues today. Hyman’s horde is proof that print still has an aura and depth, and this is proof that print is still extremely relevant.
While we’re on the subject of entrepreneurial New Yorkers who inadvertently spawned strains of hip-hop fashion that built empires, it’s worth (air)brushing up on Phade of Shirt Kings (who’s putting out a book next month) and his work via this 6 minute documentary. Dues are being paid and it’s better late than never.
Fast-forwarding to hip-hop style in 2013, Gunplay’s Allhiphop weed-addled post-house arrest video shows him wearing a Supreme-style tee that’s Tumblr fake in its brazen knockoff status. I don’t now who Specials are, but I know that’s not a Terry Hall or Jerry Dammers collab right there. Even that bellend from Made in Essex buys his own stuff from the store. The expression on Gunplay’s face indicates that he probably doesn’t know what it says anyway. Homages of homages are weak— like when Bobby Davro used to parody Smashy and Nicey on Rock With Laughter (I’m glad he smashed his face open for that one). Does anyone else remember the glut of fake Supreme tees in TK Maxx circa 2003 with the box logos on the back? Smedium Exploited shirts next to the Full Circle garms, plus knockoff Bounty Hunter and Recon. I’ve always wanted to know where they came from.
Finally, shouts to Jian from Four Pins for the shout in this interview right here. I like how haunted menswear blogging is by the realisation that it’s just an ordered cluster of natural shouldered jackets, denim, leather accessories, technical runners, NATO straps and factory tours. It tries to skip from menswear to fashion but then it’s all lost like Marcus Brody at the fair in Indiana Jones and the Last Crusade. It’s like getting upset because other people like wearing trousers. As long as men wear stuff, then menswear will probably be quite a popular thing.
I find that if I look too far into how facile my lifestyle is, I find myself staring into the abyss and realize that every aspect of my existence is an irrelevance. So to all the worriers — just keep posting lookbooks and don’t think about it too much. I read about some guy going crazy from studying quantum mechanics because it rendered all he knew irrelevant and I heard talk of post-menswear can do that too. Just wear your gear and accept that the post-apocalypse world will not require stylists, writers or curators.
Jian, Jon Moy and the Four Pins squad do an excellent job of writing in a learned snarky manner that I respect, making it one of the rare sites on its chosen subjects that I return to (I tell everyone else that I do, but I don’t). I hope it spawns a new wave of blogging on shoes, clothes and related matters, because most people are still covering stuff as if they’re describing it to their grandparents. In an age of unauthoritative authorities, Four Pins is one of the few voices that’s on point. /enddickriding
2 thoughts on “HEROES IN PRINT”
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